VENUE + TIME:

Exhibition: October 28 – November 13, 2016
Opening: October 27, 2016, 7 p.m.
Concerts: October 28 & 30, November 13, 2016

Nationalgalerie im Hamburger Bahnhof
Museum für Gegenwart – Berlin / Rieckhallen
Invalidenstraße 50-51, 10557 Berlin
Tue, Wed, Fri 10–6, Thu 10–8, Sat–Sun 11–6

Christian Marclay

Screen Play, 2005
Single channel video projection, black and white with color, silent, 29 min.
Courtesy the artist, Paula Cooper Gallery, New York, and White Cube, London.



Christian Marclay

Detail from To Be Continued, 2016, a graphic score by Christian Marclay.  
Publication co-produced by Klangspuren Schwaz, Kunstraum Innsbruck, Freunde Guter Musik Berlin e.V., Nationalgalerie im Hamburger Bahnhof – Museum für Gegenwart – Berlin.
Courtesy the artist, Paula Cooper Gallery, New York, and White Cube, London.  
© Christian Marclay

Christian Marclay
Screen Play, Zoom Zoom
Ausstellungsansicht “Scores”, Hamburger Bahnhof, Berlin 2016
Foto: Thomas Bruns
© Courtesy the artist, Paula Cooper Gallery, New York, and White Cube, London

Christian Marclay
To Be Continued
Ausstellungsansicht “Scores”, Hamburger Bahnhof, Berlin 2016
Foto: Thomas Bruns
© Courtesy the artist, Paula Cooper Gallery, New York, and White Cube, London

SCORES

Christian Marclay





Screen Play, Zoom Zoom, To Be Continued
Video film collage, slideshow and comic book as scores

Concert: October 28, 2016, 8 p.m.

Zoom Zoom (2007–2016)
Slideshow as score for vocal performance
with Shelley Hirsch (voice) & Christian Marclay (images)

To Be Continued (2016)
Comic book as score for ensemble
with ensemBle baBel

Screen Play (2005)
Video film collage as score for ensemble
with with ensemBle baBel & Elliott Sharp

Antonio Albanese (guitar), Laurent Estoppey (saxophon), Anne Gillot (flute/bass clarinet), Noëlle Reymond (double bass), Luc Müller (drums)
Guest: Elliott Sharp (electric guitar/saxophon)

In cooperation with Kunstraum Innsbruck (curator Karin Pernegger), Klangspuren Schwaz (curator Matthias Osterwold)
and Deutschlandradio Kultur. Supported by Pro Helvetia, Swiss Arts Council.



Christian Marclay is known internationally as a virtuoso of ‘sampling’. In his practice, which includes live performances as well as purely visual works, he takes found objects – often carrying a musical connotation – from daily life, the consumer world and mass media, and remixes them in order to generate his art.
In Screen Play (2005), black-and-white archival footage taken from various films are combined with colourful computer-animated graphics whose dots and lines recall traditional musical notation. For the musicians of the ensemBle baBel, with Elliott Sharp as guest, these visual cues provide the stimuli for the rhythm, mood, volume, and length of their performance.
The slideshow Zoom Zoom (2007–2016) is based on the artist’s extensive archive of photographs of onomatopoeias found on signs, advertising and product packaging. During his performance with vocalist Shelley Hirsch, Marclay selects images to trigger her vocal improvisation and presents her with new images in an ongoing call and response.
Christian Marclay has also developed a new work, To Be Continued (2016), which has been published as a comic book in a large edition and is available to purchase. It also serves as a musical score for the ensemBle baBel. The comic book has been co-produced with Kunstraum Innsbruck and the Klangspuren Schwaz festival in Austria.





CURATORS:

Ingrid Buschmann
Freunde Guter Musik Berlin e.V
www.freunde-guter-musik-berlin.de

Gabriele Knapstein
Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart – Berlin
www.smb.museum/hbf

PRESS:

Achim Klapp, Tel. ++49-(0)30-2579 7016, presse@freunde-guter-musik-berlin.de
Press text:
SCORES_projectinfo_eng.pdf
Presse photos:
SCORES_Pressefotos.pdf
Flyer:
SCORES Flyer
Booklet:
SCORES Booklet

PRESENTED BY: :

A project by Freunde Guter Musik Berlin e.V.
in cooperation with Nationalgalerie im Hamburger Bahnhof Museum für Gegenwart – Berlin, Staatliche Museen zu Berlin.
With support from Elektronisches Studio der TU Berlin – Fachgebiet Audiokommunikation.
Made possible by funding from Hauptstadtkulturfonds and Ernst Schering Foundation.

presented by





supported by







in collaboration with

Kunstraum Innsbruck

Klangspuren

Pro Helvetia

Deutschlandradio Kultur